The renowned Netflix drama by esteemed producer Shonda Rhimes follows the love story of Daphne Bridgerton (Phoebe Dynevor) and the Duke of Hastings, Simon Basset (Rege-Jean Page).
Based in fashionable London in 1813, during the boom of what is branded as the modern age, Bridgerton hosts an array of magnificently over the top outfits which reflect both the era and its subtle codes surrounding class. Something that still resonates in fashion in the 21st century, some might argue.
Having been released during the Coronavirus lockdown in late 2020, some could query the impact this much-praised show will have on modern post-Covid fashion, with hopefully a draw away from loungewear.
The way characters are dressed is a direct reflection on their class, which raises the question, in 2021 does class play any part in fashion?
From the first minute, it is evident that the outfits worn by the various households possess a direct reflection of their wealth and rank. The Bridgerton family, who act with dignity and refinement, let their clothing reflect as such, with light pastel ‘tasteful’ colours and simple patterned dresses. This is in contrast to the outrageous Featheringtons, who we later find out are immersed in debt – and scandal. The Featherington daughters (Philippa, Prudence and Penelope) on the other hand, are dressed throughout the series in extreme, vivid colours with garish floral patterns, by mother, Portia (Polly Walker). Although the outfits do maintain the style of the era; with an empire waistline, tiny breasts pushed towards the sky, and eccentric, feathered headpieces, the emphasis to modernise is evident. This is through the colours [2020 palette], silhouettes [which are less modest than
expected] and fabrics [lace, tulle, taffeta, satins and silks]. It is also unremarkable the resemblance that these characters have to London’s current members of high society. Daphne is a clear portrayal of Kate Middleton, showing prestige and class, whilst Portia Featherington closely resembles the tasteless image Gemma Collins depicts.
Talking about fabrics, the outfits are shown to be made with seductive sheer materials. This not only sexualises the dresses, making them give away just enough to the eye, whilst still maintaining a modest appearance. During a garden party, Daphne is seen to be wearing a pale blue empire waisted dress with many layers of sheer fabric. This dress demonstrates the epitome of a classy yet sexy style, whilst not being trashy. One could predict, after the constant prevalence of sheer materials within the show, that this will be a fashion staple in summer 2021.
The Queen’s outfit worn during the initial scene, is the embodiment of class portrayed within Bridgerton. Her personal garish façade proves she is above everyone else. The subtle use of colour, modest style of neckline and sleeve length, large skirt and draped cape over the dress is used to represent the characters’ position within society. This outfit carries the show, as precedence to what members of the high-class wear. The styling set alongside the dress includes large ornately designed hair and beautiful, elegant jewellery to pair. Throughout Bridgerton the necessity of appropriately pairing accessories is highly important as reflection of sophistication. It would not be surprising if we see a shift of fashion to include matching statement jewelry pieces, complementary to an outfit.
Will this binge-worthy series influence post-Covid fashion? Only time will tell. If I had to put money on it, I’d say yes. People are going to leave the depression of lockdowns to recreate the prestige of society we have longed for, as previously seen post-WW1. However, for now, whilst not being extremely obvious, it is evident that the clothing worn by the members of London’s high society in Bridgerton are prime examples of how class can be so obviously differentiated.
